rain in my heart documentary mark died

He is a quite good interviewer, especially in the interaction between him and the characters. There are some moments that I will have questions against this films moral or ethical problems. I also think that it is not Pauls fault that these people after having a huge amount of alcohol could not control themselves: their speech, actions and emotions. However to me I felt that this is in some sense of vital information that we needed as viewers to understand and try to identify and sympathize with the reasons to why this person relies on alcohol. "; How the world's oldest clove tree defied an empire, Why Royal Ballet principal Sergei Polunin quit, Tourists flock to 'Jesus's tomb' in Kashmir. I personally feel as though Watson did not exploit his subjects as they all gave informed consent when they were sober and in hospital, under the supervision of healthcare professionals who could determine whether they were of sound mind, however this issue can be questioned at some points. Their harsh realities shocked me, however i found it extremely easy/automatic to empathise with them due to the methods of which Watson included, and the issues raised were heavily captivating. Overall were the subjects happy to be on film? However in the documentary there is a shot of him asking Why am I asking you to watch Nigel die? and he then says that Nigels wife, Kath, had wanted it to be shown so that the audience would be made fully aware of the consequences of alcoholism. And it is also a good example to discuss the ethical issues in the documentary. Paul Watson also states in the article, in reference to Nigel, that when I heard he would die, I admit, I thought thats going to make great telly. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. This is distressing viewing, so bear that in mind if you plan to watch it but I thought it was also great reminder to keep on doing what i'm doing and staying off the booze. The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. In comparison to other hard-hitting and eye opening documentaries and coverage of alcohol/substance addictions, I think that Rain In My Heart is hardly exploitative at all. I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. It is also true that sometimes the person who was interviewed didnt feel very comfortable about what he or she was saying and probably wasnt aware at all of what it was being said. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. Another point worth making is that every person has a different view of whats going too far. But that is not a bad thing. Their addiction affected them not only when they were drunk, but physically as well as mentally, when they were sober too. Voyeurism this is not. In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. This is followed by a sequence of Claire crying at his funeral and shots of the casket. Watson himself, in a cut away shot and voiceover reveals to the audience that in that moment he lost his ability to be able to detatch himself from a situation. Two of the Rain In My Heart is not an easy documentary to watch. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. I think this leads them to be manipulated easily. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. On the other hand, i personally feel like people are indeed exploited. Because Paul Watson deliberately interviews them after they are drunk. However I feel this issue raised WAS ethical as after Vanda gave him that information, he explicitly asked her to again give him consent the morning after that occurred so that she could give consent when she wasnt drunk. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. There were some scenes in which the people he was filming were obviously out of it and not at all in a healthy condition, physically or mentally. This was mostly due to the fact that obviously he was filming people with huge vulnerability in their lives, therefore he was careful not to portray the situation as taking advantage of. So I guess Im not satisfied with his attempts to explain himself during the film, but only because I think he didnt need to in the first place. Things which have been considered problematic in Watsons Rain In My Heart include: informed consent from his subjects, the argument of whether or not the filmmaker should intervene in the filming process, the appropriateness of certain parts of the film, most notably Nigels funeral and his grieving family, and finally, the relationship between Watson and his subjects. Firstly, if you are an Alcoholic to the extent the four patients were, it is not possible to have a clear judgment or make a legitimate decision. I was completely satisfied with his attempts to deal with accusations of taking advantage of their vulnerabilities throughout the film. However, it doesnt justify the ignore her drinking even he had a chance to stop her. You can watch a short reminder of their stories via the links below. For example, when Vandas temper reaches a certain point and she slams the phone down repetitively, wanting to break it and smash it pieces. It brings to light the seriousness of alcoholism, and how it may affect more than just those who drink in excess, i.e. Watching Rain in my Heart and experiencing the pain of the lead characters in this outstanding documentary helped me stay sober in the early days. If the subjects are happy to be filmed then I dont see the problem as long as they have a stable state of mind. The editing in this documentary played a huge part in how the audience saw and formed views about the subjects that Paul Watson was filming. The subjects are very vulnerable and Watson knew this, therefore ethical issues due to the interference of reality from Watson. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? When researching the film I found a web page (which is a old BBC one). But if some of us dont record it, no one else will learn about it. Which questioned the showing of Nigel s death (one of the four subjects and one that pat away). However, I do not think that Watson intentionally tried to exploit his subjects. To argue my point further, there is a particular example from Rain In My Heart that exemplifies this problem. In terms of consent, yes, the subjects were not in a stable state of mind to give fully informed consent, but I think Watson had to work with what he had. Overall, I believe Watson does not exploit his subjects because they knew roughly what they were getting themselves into and because Watson simply observed with the camera the tragic events of the subjects that would gain the empathy of the audience towards the effect of alcoholism. There was Nigel, in his late 50s or early Also, i think observation style makes audience to get more shock by the scene without explanation. I also at times found it hard to watch due to the harsh reality of the subjects lives. The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. An example being Vanda and the way he gets to know her and in the end explores her painful past. I think that Watson when immersed with these subjects he formed a friendship with, learning to really like some of them and he himself tries to stop some of his subjects from drinking because he wants to see the best happen for them. Many of us have an uneasy relationship with alcohol - we like it more than it likes us - but There is also the repetitive clip of when Vanda says her monsters are in her head. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. He does however, tell her that he will ask her when she is sober if she wants to keep that in. Watching Nigel s family crying over his coffin is something that is upsetting and distressing for all. This is also made clear later in the film when he spends some time filming at one of the female patients, Vandas house. Once she confesses her heartbreaking childhood, Watson mentions that he will check with her tomorrow to see whether she still wants it to be put in [the final cut of the documentary]. Whilst considering the methods that Watson used to gain the footage and despite my previous comments being slightly negative, i do believe he was being somewhat ethical. I find that this question of whether his action are ethical or not comes into play more at the moments when he simply stands back whilst the subjects continue to drink. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. We as a audience get to see his family grieving him when he dies and more importantly we see his wife looking after him when he is in his worst state and also coping with his departure. In an age of formatted reality with, as Barraclough put it, "guaranteed dynamics and resolutions", these are not the denouements you could promise or manipulate. The decision to include this part of Vandas drunk dialogue is one that is certainly questionable, especially since we are not given evidence as to whether or not she did consent to the inclusion once sober. Thus by showing footage of the real physical and psychological effects of alcoholism Watson allows for the audience to build up that empathy for the subjects on screen. After drinking heavily, people are definitely not in a normal status, which lead to a question that in what situation Paul Watson get the consent from these alcoholics. However, Watson once again denies accusations of exploitation for when he arrives at Vandas to see the door open and clarifies his reason for waiting by stating of course you wait, you dont just go in and more importantly, when the action begins to unfold with a drunken Vanda, Watson says that he must regain his job as someone there to just film what they do to their selves and reassures her that when she begins to talk delicately about her abusive past, that he will not use this footage in the future if she does not want to. At this point, i would say, at least, it demonstrates the serious damage of alcoholism to many people like me, especially for teengers. I found the piece riveting but extremely disturbing. I think that Perhaps the strong emotional shocked felt from watching it is more to do with fearing our own mortality. My main criticism of the film is Watsons commentary on the events and decisions made during filming. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. Webbaanpruksahatyai > > Uncategorized > rain in my heart documentary mark died. The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. It seems much so that Paul Watson is very much clear of his role within his observational style of filmmaking in his documentaries. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. Seeing the filmmakers process on screen is great when theyre doing something that you need to see. Because I think it break the engagement of the audience. https://www.youtube.com/watch?v=jjy8Z1hK2wY fromSchindlers List, Set to music, shot in thegorgeous shadows of black and white, and perfect balanced frames. Documentary Documentary on four alcoholics living in Kent, England. wetherspoons bridlington menu project montessori felt christmas tree rain in my heart documentary mark died. I think theyre happy for the attention, to have someone to listen. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. From a personal level I felt it was very moving and eye opening to me on this subject. It is not a pleastant sound. And the audience is living the pain through the subjects, and that is the best outcome to achieve, making the subjects exploitation almost worthwhile. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. One example from the documentary which I felt that could have made some people to view as Watson exploiting his subjects would be when one of his subject revealed (when she was highly intoxicated) that she had been sexually abused by her father. family and friends. If he had interfered then he could have been potentially saving lives. I believe it was not his job to cure the patients, neither was it to encourage them to drink, however his involvement with the hospital and its patients was simply to reveal the complex and brutal causes and effects of alcoholics. Its hard to give a black or white answer of whether or not Paul Watson exploit the subject. rain in my heart documentary mark died. There is one point I dont like about Watsons technique. I felt that he definitely uses their trust, but in a good way, he seemed to be a friend for most of them and wanted to change or improve their lives. If we are to look at films that exploit horrors/suffering then we must idenfity the certain aesthetics and language that are used to do this. I didnt expect Rain in my Hearts to emotionally affect me as much as it did, though we were warned. Are you satisfied by his attempts within the film to deal with such accusations? Explaining hell it is. http://www.theguardian.com/culture/tvandradioblog/2006/nov/22/mattersoflifeanddeath. 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